Lyric video Ī lyric video for the song received millions of views in the first month of its release. It prominently features a pawn shop with a stack of old-fashioned boomboxes and TV sets, on which Adam Levine appears when he is singing the chorus.Īs of March 2023, the video has hit 700 million views making it the fourth-most viewed video on Fueled By Ramen. The video (directed by Hiro Murai) has the feel of a 1980s setting, with a breakdancer and several payphones seen, though the actual setting is modern as evidenced by the Mini Cooper in one scene. The video shows the band playing in the city of New York and their shadows are playing on the ground." Gym Class Heroes drummer Matt McGinley explained that the song's music video "basically plays on the idea that we're sort of just being casual, hanging out, being ourselves and our shadows get wild and get loose. ![]() Additional Fender Rhodes was played by Austin Bis at Chalice Recording Studios in Los Angeles. McCoy then raps about serenading his ideal girl and picking love over animosity, all the while relaying the message using music-based metaphors. Make me your radio / Turn me up when you feel low / This melody was meant for you / So sing along to my stereo." The song is written in the key of F ♯ minor. "My heart's a stereo / It beats for you, so listen close / Hear my thoughts in every note. Produced by Benny Blanco and Robopop, "Stereo Hearts" begins with Adam Levine singing the hook. The song was released on June 14, 2011, as the lead single from the group's fifth studio album The Papercut Chronicles II (2011). " Stereo Hearts" is a song by American rap rock group Gym Class Heroes featuring Maroon 5 frontman Adam Levine. Next, The Beatles are set to release new expanded editions of ‘1962-1966 (The Red Album)’ and ‘1967-1970 (The Blue Album)’, mixed in stereo and Dolby, next Friday (November 10).Single by Gym Class Heroes featuring Adam Levineįrom the album The Papercut Chronicles II They also teased the single with images of a cassette tape posted across social media and internet as well as projections across the Fab Four’s native Liverpool.Īn emotional short film was broadcast on The One Show and the band’s YouTube Channel on Wednesday (November 1) too, which documented the history behind the track and how it came together. Working on the project with Macca, Starr later revealed that hearing the demo made him feel like John Lennon was back with them, and also described the finished result as “beautiful”. The Beatles at the press launch for their new album ‘Sergeant Pepper’s Lonely Hearts Club Band’, held at Brian Epstein’s house at 24 Chapel Street, London, 19th May 1967. In 1994, his widow Yoko Ono gave the recording to McCartney, Harrison and Starr. His eyes immediately filled with tears – so that is the way we went.”Īs previously mentioned, the basis of the track stems from an idea John Lennon wrote and recorded with just his piano and vocals in the late ’70s. ![]() I discussed the ending with him, and described one vague idea I’d been toying with. “Fortunately, Dhani Harrison happened to be visiting NZ at this time. “I realised we needed the imagination of every viewer to do what we couldn’t, and have each viewer create their own personal moment of farewell to The Beatles,” Jackson explained. ![]() ![]() CREDIT: Harry Hammond/V&A Images/Getty ImagesĮlsewhere in his statement, the filmmaker confirmed that the project was put together with the help of Jabez Olssen, who also worked on the Get Back docu-series, and Harrison’s son Dhani was present for the making of the music video to help capture the right atmosphere. The Beatles pose for an eraly group portrait, backstage, (L-R) Ringo Starr, George Harrison, John Lennon (palying harmonica), Paul McCartney, 1962. Some of “the earliest known film of The Beatles” is also embedded, provided by Pete Best and showing the four-piece performing in leather suits. New footage of the surviving members working on the project is also embedded in the final result and Jackson later shared his outright refusal to use any CGI shots in the music video, saying that “every shot of The Beatles needed to be genuine”.Īs well as working with McCartney and Ringo Starr for the project, Jackson also enlisted help from John Lennon’s son Sean and George Harrison’s wife Olivia, who each provided him with “some great unseen home movie footage” for the project. He also stated that he tried to use the lack of relevant footage of the band as an excuse to shy away from the task – as he was handed 14 hours of newly unearthed footage of the members together in 1995. In a press release shared earlier this week, Jackson detailed his reluctance to take on the monumental task of making the visuals for the “final” song – stating that he found the “collection of anxieties almost too overwhelming to deal with.”
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |